Post by Oneiros on Jan 17, 2018 8:42:57 GMT
OR: "Orchestral Manoeuvres in the Dark"
Tactics at play all round, from LOLOMG to the NPCs in the box, as the players get into position to unmask a villain. And Bryn calls out GM Alex for breaking time-honoured narrative conventions. A flooded basement, darkened boxes, harried managers, a siren's song from the diva... the stage is all set for a showdown!
Nice to get back to the action after the holiday specials; and the PCs are back in the thick of things as Bertie's 'force of personality' is still 'charming' the help, Hamid finally gets to see his sister, and Grizzop & Sasha stick to the shadows to observe what emerges from the dark. And, the Count of Prague is called 'Jeffrey', apparently?? Anyway, verisimilitude aside
, there appears to be magic afoot in the opera house - magically-assisted voices (and I loved Hamid's comment about disowning her if she's a bard) and we shall see if Don Giovanni becomes Phantom...
Tactics at play all round, from LOLOMG to the NPCs in the box, as the players get into position to unmask a villain. And Bryn calls out GM Alex for breaking time-honoured narrative conventions. A flooded basement, darkened boxes, harried managers, a siren's song from the diva... the stage is all set for a showdown!
Nice to get back to the action after the holiday specials; and the PCs are back in the thick of things as Bertie's 'force of personality' is still 'charming' the help, Hamid finally gets to see his sister, and Grizzop & Sasha stick to the shadows to observe what emerges from the dark. And, the Count of Prague is called 'Jeffrey', apparently?? Anyway, verisimilitude aside
, there appears to be magic afoot in the opera house - magically-assisted voices (and I loved Hamid's comment about disowning her if she's a bard) and we shall see if Don Giovanni becomes Phantom...
